Bang Hang in a Siangtho Catholic Pawlpi sung bek ah gup khiat na om ki ci hiam?

A tung aa tittle tawh ki zui in thu khat ki kumni. Pawlpi dang te leh
RC pawlpi pen ki bang thei lo mah hi. Bang hang hiam cih leh a siangtho
RC pawlpi pen Jesus phuat sa pawlpi hi aa pawl dang te pen mi phuat
tawm pawlpi hi mawk hi. Bang hang in Jesus phuat sa pawlpi ci ka hiam
cih leh; Matthew 16:18-19 Tua pawlpi pen Christ pumpi hi aa, tua pawlpi aa
ding in a mahmah ki pia in, mun khempeuh aa om pawlpi te, thu khempeuh
ah a cingtaaksak hi. Pawlpi in gupna pialo mah dinghi, ahangin amau
cih pawlpi pen mihing te phuhsa ahihman ahihi. RC pawlpi te adingin
Pawlpi in gupna pia hi, ahangin Jesuh phuhsa pawlpi hi-in Pawlpi in
Jesuh Christ pumpi ahihman ahihi.  "You are Peter, and on this rock I
will build my Church " (Matt. 16:18) A hi zong in, a siangtho RC pawlpi sung bek ah gupkhiat na om ka ci kei hi. (salvation is not ONLY in Roman Catholic Church).

 A.D (CE) 1208 kum in Pope Innocent III makaihna tawh Roman Catholic
Church in thusuah khat nei uh a, Latin lai in: extra ecclesiam nulla
salus (There is no salvation outside of the church). Pawlpi pualam ah
gupkhiatna omlo hi ci hi.

Pope Innocent III

Tuatawh kizom in A.D (CE) 1302 kum in Pope Boniface VIII in ( Unam
Sanctum) a siangtho Catholic pawlpi khatbek oma, tua pawlpi pualam ah

gupkhiatna (salvation) omlo hi ci in genkhia hi.

(( Hihlaibu sung ah kisim thei hi! - Francis A. Sullivan S.J.Salvation Outside the Church? Tracing the History of the Catholic Response, Geoffrey Chapman, London. 1992, page 5 ))

Martin Lurther hun (1521) hong khan khit ciangin Jesus asang veve
Pawlpi tuamtuam hong piang khia ta hi. Second Vatican Council 1965 hun
ciangin Pawlpi cihna mun ah Christ cih kammal na zang uhin,  "Christ
lo in Gupna omlo/ ki ngahlo hi" kici hi.

 A.D (CE) 1962-1965 kum in Roman Catholic Pawlpi in Second Vatican
Council nei a, tua Second Vatican Council e pomzia leh sanziate in, a
beisa hun  Pope Innocent III leh Pope Boniface VIII te makaihna tawh
upzia leh sanzia a gente uh kibang nawnlo hi. Catholic Pawlpi thupom
zia kilamdang ta hi.

Martin luther

A hang in, Martin Luther ong khan khiat ma ciang ciang a siangtho
Catholic pawlpi bek om aa pawl dang Jesus a sang om lo hi.  Second Vatican
Council hun ciangin akilam dan na khat bel om hi, Lai siang tho sungah
akigelsa aom mah bangin  John 10:16 (I have other sheep that are not of this sheep pen. I must bring them also. They too will listen to my voice, and there shall be one flock and one shepherd.) Hih tuukulh sungah a omlo tuu dang ka nei
lai hi. Tuate zong tuukulh sungah ka khum ding a, amaute in keima thu
ngai-in, keima khutsungah ka tuu omsate tawh honkhat suakkhawm ding uh

hi. Pawlpi pualam ah Jesuh asang veve, a um veve, Gupna asang thei
ding Thu-um mi tampi om hi cihpen lai siang tho in ong gen khin hi. Tua
ahihmanin "Catholic Pawlpi bek" (There's Salvation Only in Catholic Church) cih kammal pen ki zang thei nawn lo hi aa "Christ sung bek" (In Christ Alone) cih ding ong suak ta mawk hi. Pawlpi hang in gupna ki ngah hi lo aa Christ hang bek in gup na ki ngah cih in tel ding ki sam hi. Mark 9:39-41 But Jesus said, “Do not hinder him, for there is no one who will perform a miracle in My name, and be able soon afterward to speak evil of Me. 40“For he who is not against us is for us. 41“For whoever gives you a cup of water to drink because of your name as followers of Christ, truly I say to you, he will not lose his reward.

Second Vatican Council ah hibang in thupomzia leh sanzia nei uh hi.
Extra Christie nulla salus (No Salvation outside Christ) -Christ lo in gupna kingahlo, Chrit e pualam
ah gupna omlo, ci in muhna thak hong nei uha, Catholic pawlpi bek ah
gupna om hi, cih sanna pan in Jesuh sungbek ah gupna om hi cih tawh
thupomzia, thusanzia ki lamdang ta hi.
Tua a hih man in a siangtho Catholic pawlpi sung bek ah gupna om ki ci thei nawn lo hi. Jesus gumpa honpa ci aa a sang khem peuh in gup na ngah ding hi.

Our Father, Who art in heaven
Hallowed be Thy Name;
Thy kingdom come,
Thy will be done,
on earth as it is in heaven.
Give us this day our daily bread,
and forgive us our trespasses,
as we forgive those who trespass against us;
and lead us not into temptation,
but deliver us from evil. Amen.

FINGURATIVE LANGUAGE

Idiom

The meaning of the word is not the meaning of the expression.

Personification

An animal give human like qualities or an object give life like qualities.

Simile

A compassion of two things using “ like, as, then” or resemble.

Metaphor

a direct compassion of two unlike things.

All the world's a stage, and we are merely players.

Extended Metaphor

A metaphor that goes reversal lines or possible the entire length of the work.

Implied Metaphor

The compassion is hinted at but not clearly stated.

Hyperbole

Exaggeration often used foe emphasis.

Litotes

Understatement- basically the opposite of hyperbole often it is ironic.

Lyrics

A short poem ( usually written in first person point of view )

Expense an emotion or and idea or describes as sense.

Do not tell a story and often a musical.

Alliteration

Consonant sounds that repeat at the beginning of the word.

Symbolism

When a person, place, things or event that has meaning in itself also represents or stands for something else.

Allusion

Allusion comes from the verb “ allude” which means “to refer to”.

An allusion is a reference to something famous ( Literacy, Biblical, and Historical.)

Imagery

Language that appeals to sense.

Most images are visual, but they can also appeal to the sense of sound, touch, or smell.

Parody

A parody imitates the serious manner and characteristic feature of a particular literacy word in order to make fun of those same feature.

POETRY FORM

Form

The appearance of the word on the page.

Line

A group of words together on one line of the poem.

Stanza

A paragraph in poetry.

Couplet

A two line stanza.

Quatrain

A four line stanza.

Rhythm

The beat created by the sound of the word in a poem.

Rhythm can be created by meter, rhyme, alliteration and refrain.

Meter

A pattern of stressed and unstressed syllables.

Free Verb Poetry

Unlike meter poetry, free verb poetry doesn’t have any repeating pattern of the stressed and unstressed syllables.

Blank Verb Poetry

Written in lines of amebic pentameter, but doesn’t use and rhyme__ Shakespeare.

Rhyme

Words sound alike because they share the same ending vowel and consonant sounds.

End Rhyme

A word at the end of the line rhymes.

Internal Rhyme

A word inside a line rhymes with another word on the same line.

Slant Rhyme

The words share either the same vowel or consonant BUT NOT BOTH.

Rhyme Scheme

A rhyme scheme is a pattern of the rhyme ( usually end rhyme but not always).

Onomatopoeia

Words that imitate the sound that they naming.

Consonance

Similar to alliteration except.

The repeated consonant sounds can be anywhere in the world.

Assonance

Repeated vowel in a line or line of poetry.

Refrain

A sound word, phrase or line repeated regularly in a poem.

Haiku

A Japanese poem written in three lines five syllables, seven syllables.

Cinquain

A five line poem containing 22 syllables. 2-4-6-8-2 syllables.

Shakespearean Sonnet

A fourteen line with a specific rhyme scheme.

The poem is written in three quatrain and end with a couplet.

The rhyme scheme is a bad cdcd dfdf gg.

Narrative Poem

A poem that tells a story. ( Generally longer than the lyric styles of poetry b/c the poem needs to establish characters and plot.

Concrete Poem

In concrete poems, the words are arranged to create a pic that relates to the content of the poem.

အဂၤလိပ္စာ အခက္အခဲၾကံဳေနေသာ သူငယ္ခ်င္းမ်ား

IRONY

VERBAL

DRAMATIC

SITUATIONAL

Verbal irony

A character says one thing but means another

Like sarcasm

Situational

Expectations V. Reality

The opposite of what we expect is what happen

Dramatic

The audience knows something that the character doesn’t know.

IDENTIFYING THE ELEMENT OF A PLOT DIAGRAM

1. Exposition / Basic situation

This usually occurs at the beginning of a short story. Here the characters are introduced. We also learn about the setting of the story. Most importantly, we are introduced to the main conflict (main prob)

2. Raising Action / complications

This pat of the story begins to develop the conflict(s). A building of interest or suspense occurs.

3. Climax

This is the turning point of the story. Usually the main character comes face to face with a conflict. The main character will change in some way.

4. Falling Action

All loose ends of the plot are tied up. The conflict(s) and climax are taken care of.

5. Resolution

The story comes to the reasonable ending.

Type of conflict

-Internal- within the character

-A decision they must make

-Something they are afraid of

External

Person v. person

Person v. nature

Person v. society

Characterization

Direct characterization

Author tells the reader what a character is like.

She is one of the pretty, charming, young women.

Indirect characterization

Author provides clues about what a character is like by

-Describing what they look like

-Describing their actions

-Telling us what other characters say about them

-Telling us what the character says

Round character

-Multi-dimension

-Many personality traits

-We get to see many sides of their personality... Most like a real person.

Flat character

-One dimensional

-We get very little information on which this character is.

Static character

Doesn’t change in a story

Dynamic character

Changes are the result of the events in the story.

First person point of view

-Uses first person pronouns such as I, me, my,

-Narrator is a part of the story and is telling about things they have experienced or are experiencing

-Bias we only know what this narrator knows or choose to tell

Third person limited

-Narrator is not a part of the story but chooses to focus on ONE character and tell us about that ONE character

Omniscient

-All knowing narrator

-Can tell us about the past, present and future

-Is able to discuss all character including what they are thinking and feeling

အဂၤလိပ္စာ အခက္အခဲၾကံဳေနေသာ သူငယ္ခ်င္းမ်ားကို ရည္စူးျပီး ျပဳလုပ္ျခင္းျဖစ္ပါတယ္။